My first post was a book review of “The Music of the Cubes” by Thomas Mitchell, which tries to back up recent claims about supposedly hidden carvings in Rosslyn Chapel. Shortly after I posted, an observant reader (possibly my only reader at this point!) noticed that the publishing company for the book and CD associated with this “research” was making bold claims about the academic support for it:
“Using the Chladni research as reference, Thomas Mitchell discovered that the cubes, when translated, produce a meaningful and authentic medieval musical composition. This has been verified by Acoustic Science experts at Edinburgh University.”
An quick email to and response from a staff member at Edinburgh University confirmed my suspicion that this is definitely NOT the case. Academics – please be aware that if you associate yourself with “alternative” historians and their ilk, it pays to be sure just what is being said about the relationship.