I have this on my desk at work
Another year, another extraordinary claim about poor old Leonardo. I picked this one up from Doubtful News, which quite frankly is a real goldmine for this blog. I’ve covered several instances of this in the past, including the ‘Last Supper’ debacle, which continues to bring most visitors to these pages (sadly).
The really obvious problem this time is that the painting is by no means certain to be Da Vinci’s. Until and unless it is authenticated as such, it’s pretty pointless to try to look for hidden meaning where there may well be none (even if it were a Leonardo). This is a practice that is fraught with difficulty in any case, as any ‘code’ would be indistinguishable from the false patterns one could read into just about any work of art (or natural feature, cloud, cheese sandwich, or book, for that matter).
If you need any more of a warning, the author of the new book (and yes, there’s a book to be sold, and no, it’s not written by an art historian), has serialised it with…you guessed it…the Daily Mail (purveyor of such stories as this).
The ‘similarities’ that they point out (here) are just that; artistic conventions of a certain style and period. I’m not an art historian either, but the second toe being longer than the first is a genetic trait, not just a Da Vinci one. It’s also another artistic convention dating to Classical times (check out Graeco-Roman statues – short winkies and long second toes are pretty much de rigeur). The fleur de lys is a massive red herring, since the Priory of Sion was essentially a hoax. The symbol itself is widely used outwith the ‘Priory’, and oh look, it’s one of the Virgin Mary’s symbols. Talk about cherry-picking meanings.
As for the rest, this is the Leonardo that the author/paper claim is so similar; see what you think. Note however that all of the specialists consulted are either pretty equivocal about it, or outright state that it may be Da Vinci’s school, but do not attribute it to the man himself. The ID of Mary Magdalene is suspect because the Madonna with baby Jesus and young John the Baptist is a massive trope of Christian art. How is this any different? Reminds me of the claims that the carvings in Rosslyn Chapel depicting plants and ‘green men’ are somehow definitively ‘pagan’, when in fact the natural world was important to Christians too. If you ignore the bigger picture, it’s easy to fool yourself into seeing significance where none exists.